“Pandora’s Box” (1904) (Die Büchse der Pandora) is a play by the German dramatist Frank Wedekind. With “Earth Spirit” (1895), it forms the second part of his pairing of ‘Lulu’ plays. Both plays depict a society “riven by the demands of lust and greed”.

In the original manuscript, dating [...]]]>

Pandora's Box - A Tragedy in Three Acts

“Pandora’s Box” (1904) (Die Büchse der Pandora) is a play by the German dramatist Frank Wedekind. With “Earth Spirit” (1895), it forms the second part of his pairing of ‘Lulu’ plays. Both plays depict a society “riven by the demands of lust and greed”.

In the original manuscript, dating from 1894, the ‘Lulu’ drama was in five acts and subtitled ‘A Monster Tragedy’. Wedekind subsequently divided the work into two plays: “Earth Spirit” and “Pandora’s Box”.

It is now customary in theatre performances to run the two plays together, in abridged form, under the title Lulu. Wedekind is known to have taken his inspiration from at least two sources: the pantomime Lulu by Félicien Champsaur, which he saw in Paris in the early 1890s, and the sex murders of Jack the Ripper in London in 1888.

The premiere of Pandora’s Box, a restricted performance due to difficulties with censorship, took place in Nuremberg in 1904. The 1905 Viennese premiere, again restricted, was instigated by the satirist Karl Kraus. In Vienna, Lulu was played by Tilly Newes, later to become Wedekind’s wife, with the part of Jack the Ripper played by Wedekind himself.

Earth Spirit - A Tragedy in Four Acts

Confucius not only said interesting things, he sang them and accompanied himself on a kind of zither. The Smithsonian Institution’s Arthur M. Sackler Gallery has frequent shows of musical instruments from Confucius’ time, 2,500 years ago. A collection of his lyrics (there are no melodies preserved)  is one of the first pieces [...]]]>

Playing a traditional zither

Confucius not only said interesting things, he sang them and accompanied himself on a kind of zither. The Smithsonian Institution’s Arthur M. Sackler Gallery has frequent shows of musical instruments from Confucius’ time, 2,500 years ago. A collection of his lyrics (there are no melodies preserved)  is one of the first pieces of Chinese literature handed down through the centuries.

“It is said that Confucius accompanied himself on a ‘qin’ while singing the odes of the Shi Jing, or the ‘Classic of Poetry,’” says cellist Yo-Yo Ma in a guide to the exhibit. “We don’t know what Confucius’ qin may have looked like, but in popular accounts of his life, the image of the philosopher-musician became firmly established.” The qin is a kind of zither. Today’s Chinese musicians still use one kind. Ma is an American of Chinese ancestry, one of today’s leading cellists playing classical western music.

Jenny F. So, the Sackler’s curator of ancient Chinese art, said in an interview that some of the “odes” were just folk songs. Confucius reportedly made a practice of dancing with his disciples every day. In his time, music was considered of great social significance, linking rulers to subjects, parents to children. “It is by poetry that one’s mind is aroused; it is by ceremony that one’s character is regulated; it is by music that one becomes accomplished,” he said.

Most of the instruments on display come from a tomb of the Marquis Yi, found by Chinese soldiers in 1977 when they were leveling a hill as a site for a factory. The instruments are borrowed from a museum in Hubei, China. So said this is the first time they have been displayed in a musical context.

Confucius had definite ideas about what music ought to be. “Get rid of the tunes of Zheng,” he is quoted as saying. “The tunes of Zheng are lascivious.” The Zheng area lies just to the south of Lu, Confucius’ home state. A later chronicler, who So says may have been using his imagination some, told of a Chinese king who was fond of licentious music. “He assembled a large company of musicians and actors at the Shaqiu garden,” says the account, “filling a pond with wine and hanging up meats to make a forest. He caused men and women to disrobe and pursue each other through this scenery, as part of a drinking feast lasting long into the night.”

A costumed musician, Mei Min Su of the local Chinese Music Society, played more recent Chinese music for visitors before the official opening, on a zither like one from Confucius’ time. The marquis apparently had two sets of musicians: one for public ceremonials, which emphasized percussion instruments, and a smaller, more intimate one with strings. Chinese authorities considered his ceremonial set of 65 huge bronze bells too precious to leave the country. Inscriptions on them identify the notes they produce on the Chinese five-tone scale. So far as scholars can find, it took nearly another thousand years before actual tunes were written out, Su said. In one chamber of the tomb archaeologists found an elaborately lacquered double coffin with the body of a middle-aged man, presumably the marquis. Eight smaller coffins contained the skeletons of eight young women.

According to the 2nd century BC biography written by Sima Qian, Sun Tzu was born in Qi during the Spring and Autumn Period of China (722–481 BC), and became a heroic general for the king of Wu, Helü.  Historians place the writing of the [...]]]>

Excerpted from The Art of War by Sun Tzu - Special Edition

According to the 2nd century BC biography written by Sima Qian, Sun Tzu was born in Qi during the Spring and Autumn Period of China (722–481 BC), and became a heroic general for the king of Wu, Helü.  Historians place the writing of the text in the Warring States Period (476–221 BC), based on its description of warfare. The period was a time of constant conflict between seven nations (Zhao, Qi, Qin, Chu, Han, Wei and Yan) seeking to control all of China.

It is said that the king of Wu tested Sun Tzu’s skills in military tactics by commanding him to train several hundred concubines into soldiers. Sun Tzu divided them into two companies, and placed one of the King’s favorite concubines at the head of each. He then bade them all take spears in their hands, and addressed them thus: “I presume you know the difference between front and back, right hand and left hand?” The girls replied: Yes. Sun Tzu went on: “When I say “Eyes front,” you must look straight ahead. When I say “Left turn,” you must face towards your left hand.

When I say “Right turn,” you must face towards your right hand. When I say “About turn,” you must face right round towards your back.” Again the girls assented. The words of command having been thus explained, he set up the halberds and battle-axes in order to begin the drill. Then, to the sound of drums, he gave the order “Right turn.” But the girls only burst out laughing. Sun Tzu said: “If words of command are not clear and distinct, if orders are not thoroughly understood, then the general is to blame.” So he started drilling them again, and this time gave the order “Left turn,” whereupon the girls once more burst into fits of laughter. Sun Tzu: “If words of command are not clear and distinct, if orders are not thoroughly understood, the general is to blame. But if his orders ARE clear, and the soldiers nevertheless disobey, then it is the fault of their officers.” So saying, he ordered the leaders of the two companies to be beheaded.

Now the king of Wu was watching the scene from the top of a raised pavilion; and when he saw that his favorite concubines were about to be executed, he was greatly alarmed and hurriedly sent down the following message: “We are now quite satisfied as to our general’s ability to handle troops. If We are bereft of these two concubines, our meat and drink will lose their savor. It is our wish that they shall not be beheaded.” Sun Tzu replied: “Having once received His Majesty’s commission to be the general of his forces, there are certain commands of His Majesty which, acting in that capacity, I am unable to accept.”

Accordingly, he had the two leaders beheaded, and straightway installed the pair next in order as leaders in their place. When this had been done, the drum was sounded for the drill once more; and the girls went through all the evolutions, turning to the right or to the left, marching ahead or wheeling back, kneeling or standing, with perfect accuracy and precision, not venturing to utter a sound. Then Sun Tzu sent a messenger to the King saying: “Your soldiers, Sire, are now properly drilled and disciplined, and ready for your majesty’s inspection. They can be put to any use that their sovereign may desire; bid them go through fire and water, and they will not disobey.”

But the King replied: “Let our general cease drilling and return to camp. As for us, We have no wish to come down and inspect the troops.” Thereupon Sun Tzu said: “The King is only fond of words, and cannot translate them into deeds.” After that, Ho Lu saw that Sun Tzu was one who knew how to handle an army, and finally appointed him general.

In the early 1970s, scholars uncovered a collection of ancient texts written on unusually well-preserved bamboo slips. Among them were Sun Tzu’s The Art of War and Sun Bin’s Military Methods. Although Han dynasty bibliographies noted the latter publication as extant and written by a descendant of Sun Tzu, it has since been lost. Sun Bin’s treatise is the only known additional text from the ancient period bearing a close association with Sun Tzu.

Philip Kindred Dick was an American novelist, short story writer, and essayist in the science fiction genre. Dick explored sociological, political and metaphysical themes in novels dominated by monopolistic corporations, authoritarian governments, and altered states.

In his later works, Dick’s thematic focus [...]]]>

Piper in the Woods - A Collection of Science Fiction

Philip Kindred Dick was an American novelist, short story writer, and essayist in the science fiction genre. Dick explored sociological, political and metaphysical themes in novels dominated by monopolistic corporations, authoritarian governments, and altered states.

In his later works, Dick’s thematic focus strongly reflected his personal interest in metaphysics and theology. He often drew upon his own life experiences and addressed the nature of drug abuse, paranoia and schizophrenia, and transcendental experiences in both his short fiction and novels.

This collection brings together 11 rare short stories and novellas culled from premier editions of such classic magazines as “Amazing Stories,” “If,” “Galaxy” and “Planets.” This Kindle edition contains a linked table of contents for easy searching.

Piper in the Woods
The Variable Man
Beyond the Door
The Crystal Crypt
The Defenders
The Gun
The Skull
The Eyes Have It
Second Variety
Beyond Lies the Wub
Mr. Spaceship

Excerpt from “Piper in the Woods – A Collection of Science Fiction by Philip K. Dick.” Reprinted by permission. All rights reserved.

Harris nodded. “Chief, can I ask you something?”

“What is it?”

“Are there any inhabitants on the asteroid? Any natives?”

“Natives?” Watts considered. “Yes, there’s some kind of aborigines living out there.” He waved vaguely toward the window.

“What are they like? Have you seen them?”

“Yes, I’ve seen them. At least, I saw them when we first came here. They hung around for a while, watching us, then after a time they disappeared.”

“Did they die off? Diseases of some kind?”

“No. They just—just disappeared. Into their forest. They’re still there, someplace.”

“What kind of people are they?”

“Well, the story is that they’re originally from Mars. They don’t look much like Martians, though. They’re dark, a kind of coppery color. Thin. Very agile, in their own way. They hunt and fish. No written language. We don’t pay much attention to them.”

“I see.” Harris paused. “Chief, have you ever heard of anything called—The Pipers?”

“The Pipers?” Watts frowned. “No. Why?”

“The patients mentioned something called The Pipers. According to Bradshaw, the Pipers taught him to become a plant. He learned it from them, a kind of teaching.”

“The Pipers. What are they?”

“I don’t know,” Harris admitted. “I thought maybe you might know. My first assumption, of course, was that they’re the natives. But now I’m not so sure, not after hearing your description of them.”

“The natives are primitive savages. They don’t have anything to teach anybody, especially a top-flight biologist.”

Harris hesitated. “Chief, I’d like to go into the woods and look around. Is that possible?”

“Certainly. I can arrange it for you. I’ll give you one of the men to show you around.”

“I’d rather go alone. Is there any danger?”

“No, none that I know of. Except—”

“Except the Pipers,” Harris finished. “I know. Well, there’s only one way to find them, and that’s it. I’ll have to take my chances.”

Volume 1 contains the Declaration of Independence, the U.S. Constitution, The Bill of Rights, and all amendments to the U.S. Constitution. This edition contains a linked table of contents to each section [...]]]> ELPNPress announced the release of a new series on Kindle. Know Your Government, Volumes 1 and 2 are now available for immediate download.

Volume 1 contains the Declaration of Independence, the U.S. Constitution, The Bill of Rights, and all amendments to the U.S. Constitution. This edition contains a linked table of contents to each section of the Constitution, and each amendment, along with the date each amendment was ratified.

Volume 2 contains The Patriot Act of 2001 in two versions. The first section contains the full legal text of HR3162. The second section contains a summary of the landmark legislation in simple, easy to understand English. Each section, as well as title of the document has been indexed for easy searching.

These editions are priced at .99, to fit everyone’s budget.

William Clark Russell was a master at telling sea stories, producing engrossing stories that were sometimes humorous, sometimes horrific, and sometimes, just raucously adventurous.

Perhaps best known for “The Wreck of the Grosvenor,” Russell is known internationally as the classic master of tales of the high seas.

Back in print for the first [...]]]>

Marriage at Sea

William Clark Russell was a master at telling sea stories, producing engrossing stories that were sometimes humorous, sometimes horrific, and sometimes, just raucously adventurous.

Perhaps best known for “The Wreck of the Grosvenor,” Russell is known internationally as the classic master of tales of the high seas.

Back in print for the first time in three decades, “Marriage at Sea – Special Edition” is reasonably priced at $3.99 to make a classic and distinctive addition to everyone’s Kindle library.

Also available: “The Frozen Pirate” by William Clark Russell, another classic example of nautical fiction at its finest.

The Frozen Pirate